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Leticia Agudo

Documentary + Film Director
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Filmography
  • The Grumpy Onion
    2025 — Animation series - Voice Director 12 × — 3 mins
  • Casa de Sullivan
    2025 — Feature in development — 85 mins
  • My Refugee
    2025 — Feature in development — 129 mins
  • Swapped
    2025 — Feature in development
  • #NanasRock
    2022 — Short Film — 10 mins
  • Remote
    2020 — Online Anthology 4 × — 12 mins
  • Refuge
    2017 — Short Film — 20 mins
  • Land of Amber
    2014 — TV Documentary — 52 mins
  • City Wild
    2012 — Documentary — 82 mins
  • Forty Foot
    2009 — Documentary Short — 9 mins
  • After The Revolution
    2008 — TV Documentary — 52 mins
Awards
  • 2023 — Winner
    Magnolia Int. Film Festival — Best Family Friendly Film . #NanaRocks
  • 2023 — Winner
    Nenagh Children's Film Festival — Best Live Action Short. #NanaRocks
  • 2018 — Winner
    Scottish Independent Film Festival — Best Director. Refuge
  • 2009 — Winner
    Hot Docs, Canada — Best Film, International Documentary Challenge. Forty Foot
  • 2009 — Winner
    Stranger Than Fiction, Dublin — Best Irish Short Documentary & Audience Award. Forty Foot
  • 2009 — Winner
    NodoDocFest, Italy — Best Film. After The Revolution

Since directing for the stage in my school in Seville (including, amongst others, a painstakingly reproduced version of West Side Story, where I had to take the role of Bernardo due to the shortage of male pupils and discovered the joy of acting in drag), I remained faithful to my first love through drama school and college in the UK, finishing with an MA in theatre directing. I then came to Ireland with two female peers to take the Irish theatre scene by storm at the end of the 90’s – except we didn’t because we were young women and outsiders in more ways than one.

With theatre, I was always left wanting by the inability to capture a moment that worked – it would be different the following night. I went back to study film production with the purpose of finding and retaining those moments, as it could only be done in cinema. My first opportunities came from documentary, where I honed the art of writing with the edit. I made and won awards for TV docs, shorts, a feature – but I missed live-action, and I have been focusing on it as a director since 2017. Funded and awarded shorts have followed and I’m now developing a few features from the point of view of the outsider/insider I continue to be in my adoptive country.