- Leticia Agudo
- www.whackala.com
- leticia@whackala.com
- +353 (0) 87 288 5410
- LinkedIn • IMDB • Twitter • Vimeo • Youtube
DIRECTORS
Contact
Filmography
-
The Grumpy Onion
2025 — Animation series - Voice Director 12 × — 3 mins -
Casa de Sullivan
2025 — Feature in development — 85 mins -
My Refugee
2025 — Feature in development — 129 mins -
Swapped
2025 — Feature in development -
#NanasRock
2022 — Short Film — 10 mins -
Remote
2020 — Online Anthology 4 × — 12 mins -
Refuge
2017 — Short Film — 20 mins -
Land of Amber
2014 — TV Documentary — 52 mins -
City Wild
2012 — Documentary — 82 mins -
Forty Foot
2009 — Documentary Short — 9 mins -
After The Revolution
2008 — TV Documentary — 52 mins
Awards
- 2023 — Winner
Magnolia Int. Film Festival — Best Family Friendly Film . #NanaRocks - 2023 — Winner
Nenagh Children's Film Festival — Best Live Action Short. #NanaRocks - 2018 — Winner
Scottish Independent Film Festival — Best Director. Refuge - 2009 — Winner
Hot Docs, Canada — Best Film, International Documentary Challenge. Forty Foot - 2009 — Winner
Stranger Than Fiction, Dublin — Best Irish Short Documentary & Audience Award. Forty Foot - 2009 — Winner
NodoDocFest, Italy — Best Film. After The Revolution
Since directing for the stage in my school in Seville (including, amongst others, a painstakingly reproduced version of West Side Story, where I had to take the role of Bernardo due to the shortage of male pupils and discovered the joy of acting in drag), I remained faithful to my first love through drama school and college in the UK, finishing with an MA in theatre directing. I then came to Ireland with two female peers to take the Irish theatre scene by storm at the end of the 90’s – except we didn’t because we were young women and outsiders in more ways than one.
With theatre, I was always left wanting by the inability to capture a moment that worked – it would be different the following night. I went back to study film production with the purpose of finding and retaining those moments, as it could only be done in cinema. My first opportunities came from documentary, where I honed the art of writing with the edit. I made and won awards for TV docs, shorts, a feature – but I missed live-action, and I have been focusing on it as a director since 2017. Funded and awarded shorts have followed and I’m now developing a few features from the point of view of the outsider/insider I continue to be in my adoptive country.